Why fabric weight is the sourcing decision that affects everything else

For custom canvas grocery totes, fabric weight is never just a material line on the quote. It changes how the bag carries, how the logo prints, how many pieces fit in a carton, how the tote hangs in store, and how much confidence the customer feels when they pick it up. A vague RFQ that says heavy canvas, eco cotton, premium cotton, or reusable material gives suppliers too much room to interpret the product in different ways.

That matters because eco apparel brands are usually trying to balance three things at once: credible reuse, strong brand presentation, and controlled landed cost. A low quote may look attractive, but it can be based on a lighter fabric, a looser weave, less handle reinforcement, simpler internal seams, or lower stitch density. Another supplier may quote higher because they are pricing a tested finished GSM, denser fabric, and a better top hem. Both offers may appear to answer the brief. They are not the same product.

The stronger approach is to link fabric weight to the whole bag specification. Body fabric, gusset depth, top hem, handles, thread, print method, and packing all work together. Lightweight canvas with strong handles may be fine for a giveaway. Heavy canvas with shallow handle insertion can still fail at the carry point. A useful custom canvas grocery totes fabric weight guide for eco apparel brands should therefore help procurement teams write measurable requirements, not just choose a number from a chart.

  • Lower GSM usually reduces unit cost, piece weight, carton gross weight, and folding bulk, but it increases collapse, wrinkling, transparency, and load distortion.
  • Higher GSM improves body, perceived durability, and shelf presence, but it raises material cost, sewing bulk, carton weight, and print setup sensitivity.
  • Fabric weight affects lead time because stock availability differs by GSM, color, finish, and fiber blend.
  • The right GSM depends on the use case: light event giveaways, apparel packaging, retail resale, and weekly grocery carry need different specifications.
  • A reliable quote should state tested finished fabric weight and tolerance, not only an approximate oz category or marketing description.

GSM, oz classes, and finished fabric weight: make the quote measurable

Canvas is often sold by ounce class, and that language is familiar to many bag factories. The problem is that oz references can be used loosely. One supplier may treat 8 oz as a general product category. Another may mean a specific finished fabric that tests around 270 GSM. A third may be quoting from greige fabric weight before finishing. If the purchase order does not clarify the measurement point, bulk production can arrive lighter, softer, or more open-weave than the buyer expected.

GSM, or grams per square meter, is usually easier for international procurement because it describes the weight of a defined fabric area. Still, GSM only works when the stage is clear. Greige fabric, dyed fabric, washed fabric, softened fabric, and finished fabric can test differently. For a grocery tote, the cleanest wording is a target finished GSM with an acceptable tolerance, such as 270 GSM finished cotton canvas plus or minus 5 percent. If your merchandising team still talks in ounces, keep oz as a reference, not the controlling standard.

Finished bag weight per piece is another useful checkpoint. Two totes made from the same GSM fabric can weigh differently because of size, gusset depth, handle length, seam finish, pockets, binding, labels, or packing accessories. Asking for the expected finished bag weight range helps compare suppliers and forecast freight. It also gives QC a quick way to spot a problem. If bulk pieces are noticeably lighter than the approved sample, the cause may be fabric substitution, measurement changes, cutting variance, or construction shortcuts.

  • Use GSM as the primary specification for international quotes, with oz class only as a supporting reference.
  • State whether GSM is required after finishing, after dyeing, or after washing if the fabric has a special finish.
  • Add a tolerance, commonly expressed as plus or minus a percentage, so the factory and inspector know the acceptable range.
  • Ask for estimated finished bag weight per piece for freight planning and bulk consistency checks.
  • Do not approve a sample made in substitute fabric as the standard for bulk fabric shade, hand feel, print opacity, or GSM.

Match fabric weight to the real grocery tote use case

Start with the load, not the logo. Grocery totes see different stress than apparel dust bags, conference bags, or gift-with-purchase packaging. Produce, glass jars, boxed food, books, water bottles, and folded garments create uneven point loads. A wide gusset also encourages shoppers to load more. The fabric and handle reinforcement should be chosen for likely customer behavior, not only for the campaign message.

For light promotional use, 5 oz to 6 oz canvas, roughly 170 to 200 GSM finished fabric, can work when the tote is mainly an event giveaway, packaging upgrade, or short-use campaign item. It folds well and keeps cost down. The trade-off is obvious in use: the bag can wrinkle strongly after packing, distort at the top edge, and look semi-transparent with darker contents or bold prints. It should not be positioned as a sturdy weekly grocery shopper unless the load expectation is modest and the construction is deliberately reinforced.

For many eco apparel brands, 7 oz to 8 oz canvas, around 240 to 280 GSM, is the sensible baseline for reusable grocery totes sold or gifted through retail. It gives better body, a more confident hand feel, and stronger print support without the freight and sewing challenges of much heavier canvas. A 9 oz option, around 300 to 320 GSM, is useful when 8 oz feels too soft but the budget does not support 10 oz to 12 oz. Premium programs, heavier boxed grocery loads, or structured retail display may justify 10 oz to 12 oz canvas, roughly 340 to 400 GSM.

  • 170 to 200 GSM: budget promo use, light carry, event bags, and foldable campaigns where low cost matters most.
  • 240 to 280 GSM: mainstream reusable grocery use, apparel retail resale, and balanced private label programs.
  • 300 to 320 GSM: stronger mid-premium option when the buyer wants more body than 8 oz but wants to limit bulk versus 12 oz.
  • 340 to 400 GSM: premium grocery shoppers, boxed grocery programs, heavier contents, and structured retail display.
  • For repeated loads above about 8 to 10 kg, handle reinforcement and seam construction matter as much as body fabric weight.

Structure, shrinkage, drape, and hand feel are not controlled by GSM alone

Buyers often use GSM as shorthand for strength, but customers notice structure first. A lightweight canvas tote collapses when empty, wrinkles more after carton packing, and may look less square in photography or on a retail wall. Midweight canvas usually holds a cleaner rectangle while still folding reasonably well. Heavy canvas gives the strongest body and shelf presence, but it can become bulky at the top hem, gusset corners, and handle attachment points.

Hand feel is shaped by more than weight. Yarn size, weave density, finishing, and handle construction all matter. A tightly woven 270 GSM canvas can feel more substantial than a heavier but looser fabric. A softened or washed finish can feel appealing, yet it may shrink, twist, or lose crispness if the finishing is not controlled. A stiff heavy canvas may look premium on a shelf but feel uncomfortable if the handles are too narrow or the folded handle edge is bulky under load.

Dimensional stability also deserves attention, even if the tote is not intended for home laundering. Dyeing, washing, and finishing can affect final measurements and panel skew. If a buyer approves a sample made from one fabric finish and bulk is produced from another, the tote may sew smaller, twist at the side seam, or show uneven handle drop. Write tolerances separately for width, height, gusset depth, top hem width, handle width, and handle drop. One general size tolerance is too blunt for canvas grocery totes.

  • Heavier fabric improves stand-up shape but reduces foldability and increases top-hem bulk.
  • A tight midweight weave can outperform a loose heavier canvas in print clarity and perceived quality.
  • Washed or softened finishes should be approved carefully because they can affect shrinkage, shade, and final dimensions.
  • Handle comfort depends on handle width, fold, edge finish, and load distribution, not only body GSM.
  • For retail presentation, check how the bag looks after being packed, unpacked, hung, folded, and handled again.

Natural, bleached, dyed, or recycled blend: choose the base cloth deliberately

Two grocery totes can share the same GSM and still behave very differently. Fiber content, yarn quality, weave, and finishing change the appearance and performance of the bag. Natural cotton canvas is a common choice for eco apparel brands because it is familiar, cost-efficient, and often available from stock. It also supports an unbleached, low-friction visual language. But natural canvas normally includes some seed specks, slubs, and cream shade variation. Those details may look authentic on one brand and uncontrolled on another.

Bleached canvas gives a cleaner base for brighter artwork and a more polished retail presentation. It is also less forgiving. Handling dirt, needle oil, carton dust, print contamination, and rub marks show up quickly on a pale surface. Dyed canvas gives the brand more control over color and can coordinate with seasonal apparel launches, but it adds lab dip approval, dye-lot control, colorfastness review, and shade tolerance. Dark dyed canvas should also be checked for crocking because color transfer against light garments can become a customer complaint.

Recycled cotton or cotton-rich recycled blends can be a good fit when recycled content is part of the product brief. Procurement should not assume that recycled canvas performs exactly like virgin cotton at the same GSM. Depending on source material and spinning quality, recycled blends may show more neps, slubs, shade variation, or strength variation. If the recycled-content story is used in product copy, packaging, or wholesale presentations, ask what documentation the supplier can provide and whether the same composition can be repeated across future orders.

  • Natural canvas usually gives the best cost, simplest sourcing, and fastest material availability.
  • Bleached canvas improves print contrast but needs tighter cleanliness control in sewing, finishing, and packing.
  • Dyed canvas requires lab dip approval, shade tolerance, colorfastness review, crocking checks, and usually more lead time.
  • Recycled blends may need wider tolerance for shade, slub, nep, and texture variation, plus documentation if claims are used.
  • For any fabric type, define acceptable and unacceptable surface characteristics before bulk production starts.

Construction details decide whether the tote can actually carry groceries

Fabric weight cannot rescue weak construction. Grocery totes usually fail at stress points: handle insertion, top hem, side seam, bottom corner, and gusset seam. A buyer may specify 10 oz canvas and still receive a poor bag if the handles are inserted shallowly, the reinforcement box is too small, or the side seams have inconsistent seam allowance. A well-built 8 oz tote can perform better than a heavier tote sewn carelessly.

For reusable grocery totes, self-fabric handles with box-cross or X-box reinforcement are a practical default. The RFQ should state handle width, finished handle drop, insertion depth below the top edge, reinforcement box size, and stitch density. If the design uses cotton webbing handles, review the hand feel, edge comfort, shrinkage, color match, and supply availability. Webbing can improve consistency, but it changes the product look and can add complexity if a custom dyed handle is required.

Interior seam finish should match the product position and price. Clean overlocked seams may be acceptable for cost-sensitive programs if seam allowance is adequate and raw edges are controlled. Bound seams create a neater interior and can protect heavier canvas edges, especially on wide gussets. French seams can look clean but may become bulky depending on GSM and fold construction. Choose the seam type deliberately, price it accurately, and describe it in a way an inspector can verify.

  • Specify handle width, handle drop, insertion depth, reinforcement box size, stitch pattern, thread type or color, and minimum stitch density.
  • Use X-box, box-cross, or bartack reinforcement at handle stress points rather than relying on a simple straight stitch.
  • Define side seam and gusset seam finish: overlock, bound seam, French seam, or another approved construction.
  • Check bottom gusset corners because they carry stress when customers load heavy or angular grocery items.
  • Require a practical load test or agreed pull-strength check for totes positioned as reusable grocery bags.

Print method must match canvas texture, weight, and sewing sequence

Artwork should not be approved in isolation from fabric weight. On canvas grocery totes, screen printing on flat cut panels before sewing is often the most efficient and controllable route for medium and larger runs. The panel lies flat, registration is easier, and the print can be placed accurately before seams and gussets create bulk. This matters when the logo sits low on the bag, uses a large solid area, or needs consistent alignment across thousands of units.

Canvas texture changes print behavior. Coarse or heavy canvas can create small pinholes in solid screen print areas because ink bridges over yarn texture. Fine logo details can break visually on an open weave. Lightweight canvas may show strike-through or panel distortion if pressure or ink deposit is not controlled. The safest approval is a strike-off on the exact bulk fabric, in the correct GSM and finish. A print test on a smoother swatch or a stock tote does not prove the result on your custom grocery tote.

Digital print, DTG, DTF, and heat transfer methods can support multicolor art or lower-volume assortments, but each needs review on the selected fabric. Transfers may create a heavier hand feel and can crack, lift, or show edge marks if the film is not compatible with textured canvas. Digital methods may soften detail on coarse cloth. Embroidery can look premium for small logos, yet it can pucker lightweight panels unless backing, stitch density, and placement are controlled.

  • Screen print is best for simple logos, larger runs, and strong opacity control on flat panels.
  • Digital print can support detailed or multicolor art but should be tested for edge clarity on the selected canvas texture.
  • DTF and heat transfer help low MOQ assortments but require adhesion, flexibility, rubbing, packing offset, and hand-feel checks.
  • Embroidery should be used carefully on lightweight canvas because stitch density can pucker or distort the panel.
  • Approve print color, opacity, registration, placement, and hand feel from a strike-off on the same GSM and fabric finish used for bulk.

MOQ and quote logic: make sure suppliers are pricing the same tote

MOQ for custom canvas grocery totes is not only about sewing capacity. The true minimum can come from fabric booking, dye-lot quantity, print setup, label production, trim sourcing, packing requirements, and the number of designs or SKUs in the order. Stock natural canvas in a common midweight usually gives the most flexible MOQ and the fastest development route. Custom dyed heavy canvas, recycled-content fabric, contrast handles, special labels, inside pockets, or retail-ready packing can raise the practical MOQ even when a factory says it can sew a smaller quantity.

Quote comparison becomes risky when material assumptions are hidden. One supplier may price a low unit cost using available fabric that is close to the requested range but not exact. Another supplier may quote higher because they are booking the specified finished GSM, shade, and finish. Both quotes may look valid in a spreadsheet. They are only comparable if the buyer knows what fabric, construction, print setup, and packing method each price includes.

Multiple artwork versions can also change the cost structure. A one-color screen print across one design is efficient. Split the same order into several colors, placements, or SKUs, and the effective MOQ per design can rise. Retail packing has a similar effect. Hangtags, barcode stickers, belly bands, inserts, and individual polybags add handling time and may require more careful carton planning. Include these details in the first RFQ, not after price negotiation, because they affect real production cost.

  • Common stock natural canvas usually gives the lowest MOQ and shortest raw material lead time.
  • Custom dyed fabric often requires mill or dye-lot minimums that are higher than the sewing MOQ.
  • Multiple artwork versions can reduce print efficiency and increase the effective MOQ per design.
  • Retail-ready packing, barcode labeling, and inserts raise handling cost even when tote construction is unchanged.
  • Require suppliers to state whether the price is based on exact fabric, stock substitute fabric, or an approximate equivalent.

Sample approval and QC tolerances: test the tote as a product, not a mockup

A pre-production sample should do more than confirm logo placement. It should prove that the selected fabric weight, construction, and print method work together in the finished size. A bag can look fine when empty and still disappoint in real use. Before approval, load the sample with realistic contents: produce, boxed groceries, a bottle, folded apparel, books, or whatever the program requires. Watch how the gusset opens, whether the front panel twists, whether the top edge rolls, and whether the handles remain comfortable.

Measure the sample after it has rested, not immediately after being pulled from a compressed parcel. Check width, height, gusset depth, top hem width, handle width, and handle drop against the tech pack. Look inside the bag as carefully as outside. Loose threads, uneven overlock, exposed raw edges, weak handle back-tacks, puckering, and needle damage often show first on the interior.

The sample stage is also the moment to confirm material truth. Ask whether the sample uses exact bulk fabric, stock substitute fabric, or the closest available fabric. If substitute fabric is used, treat the sample as a shape or construction reference only. Do not approve it as the standard for hand feel, shade, print opacity, or GSM. For printed programs, keep both the approved strike-off and the pre-production sample so the inspection team has physical references during bulk QC.

  • Measure width, height, gusset depth, top hem width, handle width, and handle drop against the written specification.
  • Load test one or more samples with realistic contents to observe deformation at handle joints, top hem, and gusset corners.
  • Review print edge sharpness, opacity, color, registration, and placement under normal store lighting, not only from close-up photos.
  • Inspect inside seams, top hem, and handle reinforcement because many durability risks start there.
  • Photograph front, back, side, inside seam, top hem, handle reinforcement, label, and packing method for approval records.

Packing, carton planning, and freight impact can protect or erase margin

Packing is easy to treat as an operational detail, but canvas grocery totes can make it a margin issue. Heavy canvas takes carton space quickly, especially with wide gussets, thick folded handles, bound seams, or retail inserts. If the supplier compresses too many pieces into each export carton to reduce carton count, the bags may arrive with crushed top edges, deep fold marks, distorted gussets, or print offset. A small freight saving can turn into a larger quality, rework, or sell-through problem.

Choose packing by channel. Bulk packing may be acceptable when the buyer will rework goods locally or distribute them as event merchandise. Retail resale may need hangtags, barcode labels, belly bands, tissue, individual polybags, or lower carton density to protect presentation. E-commerce preparation may require different SKU labeling and easier piece picking. These choices should be quoted early because they affect labor, carton dimensions, gross weight, and sometimes the production flow.

Carton gross weight is a practical B2B control point. Warehouses and retailers may have handling limits, and overloaded cartons are more likely to split, crush, or be rejected. Ask for estimated pieces per carton, carton dimensions, net weight, gross weight, and carton markings at quote stage. If the tote uses dark printing on light canvas, run a rubbing or stacking check before approving high-density packing. If individual polybags are avoided for sustainability reasons, discuss targeted protection such as paper interleaving only where it is needed.

  • State maximum carton gross weight and carton dimension limits if your warehouse or retailer requires them.
  • Request estimated carton cube and gross weight during quotation so freight impact can be compared by GSM.
  • Avoid over-compressing heavy gusseted bags if retail shape, clean top edges, or print surface quality matters.
  • For printed bags, test rubbing and offset risk between stacked pieces before approving high-density packing.
  • Confirm carton markings, SKU labels, barcode labels, hangtags, insert placement, and polybag policy as part of final inspection.

Specification comparison for buyers

Spec decisionRecommended optionWhen it fitsBuyer risk to check
5 oz to 6 oz canvas, approximately 170 to 200 GSM finished fabricUse only for light promotional grocery totes with a strict low unit cost targetEvent giveaways, foldable retail add-ons, conference bags, short-use campaigns, and very light apparel packaging where softness and packability matter more than structureHandles and top hem may distort under heavier groceries; body can look semi-transparent with dark print; finished size skew and wrinkling are more visible if finishing and sewing are not controlled
7 oz to 8 oz canvas, approximately 240 to 280 GSM finished fabricBest baseline for reusable grocery totes sold or gifted by eco apparel brandsEveryday mixed loads such as produce, boxed food, folded garments, books, and light household items without making the bag too heavy to shipSome suppliers quote nominal oz class instead of tested finished GSM; request finished fabric weight, GSM tolerance, finished bag weight range, and whether the sample uses exact bulk fabric
9 oz canvas, approximately 300 to 320 GSM finished fabricUseful midpoint when 8 oz feels too soft but 10 oz to 12 oz is over budgetRetail grocery shoppers needing better body, cleaner hang presentation, and moderate load confidence while controlling sewing bulk and freightLess universally stocked than 8 oz natural canvas in some supply chains; confirm fabric availability, shrinkage behavior, and whether the quoted price assumes a stock substitute
10 oz to 12 oz canvas, approximately 340 to 400 GSM finished fabricChoose for premium retail, heavier loads, boxed grocery programs, or a structured shelf presentationBags that need upright shape, thick hand feel, stronger gusset stability, and a higher perceived retail valueHigher GSM raises material cost, carton weight, needle/thread requirements, and print sensitivity; coarse surfaces can show pinholes in solid screen print areas
Natural cotton canvasDefault choice for cost control, stock availability, and simple eco positioningOne-color logos, minimal artwork, unbleached aesthetics, and programs that accept natural seed specks, slubs, and cream shade variationLot-to-lot shade variation can affect brand consistency; define base shade range, speck level, slub level, stains, oil marks, and unacceptable weaving defects
Bleached canvasUse when clean print contrast or a brighter retail look is neededWhite or off-white bases for detailed artwork, brighter ink colors, fashion retail merchandising, or clean brand visualsBleached fabric shows handling dirt, needle oil, carton rub, and print contamination more easily; in-line cleanliness and packing protection need tighter control
Dyed or piece-dyed canvasUse when brand color matching matters more than lowest unit costSeasonal retail colors, darker body shades, coordinated apparel launches, and branded grocery programs with stronger visual identityRequires lab dip approval, dye-lot control, shade tolerance, colorfastness, and crocking checks; dyed fabric normally has longer material lead time than stock natural canvas
Recycled cotton or cotton-rich recycled blend canvasUse when recycled content is part of the product brief and documentation can be suppliedEco apparel brands that need a recycled-content story while keeping a cotton canvas hand feelRecycled blends may show more shade variation, neps, slubs, and strength variation; ask for content documentation, composition, and print testing on the exact bulk fabric
Screen print on flat cut panels before sewingMost cost-effective logo method for medium to large runs with simple artworkBold logos, solid color coverage, consistent placement, and artwork that does not cross side seams, bottom folds, or gusset turnsLarge solids on textured canvas may show pinholes or uneven opacity; require a strike-off on the exact GSM and fabric finish, not on a smoother substitute cloth

Buyer checklist before sampling

  1. Define the intended carry load in kilograms and describe contents, for example weekly produce, boxed grocery items, glass jars, folded apparel, books, or event collateral.
  2. State fabric weight as finished GSM or oz class plus tolerance, for example 270 GSM finished cotton canvas plus or minus 5 percent, not only a vague term such as heavy canvas.
  3. Confirm whether the quoted material is cotton canvas, cotton duck, cotton sheeting, recycled cotton blend, or cotton-poly blend because these can feel and perform differently at the same GSM.
  4. Specify whether fabric is natural, bleached, dyed, washed, softened, enzyme treated, resin finished, or recycled blend, and note whether certifications or material declarations are required.
  5. Lock body width, body height, gusset depth, top hem width, handle width, and handle drop together because fabric weight changes drape, bulk, fold behavior, and finished measurements.
  6. Define finished bag weight range per piece if freight, retail pricing, duty calculation, or premium hand feel is important to your buying decision.
  7. Name print method, print location, maximum artwork size in millimeters, ink color reference, artwork tolerance, and whether printing happens before or after sewing.
  8. Request a strike-off or printed pre-production sample on the exact bulk fabric weight and surface finish, not on a similar stock tote, smoother swatch, or substitute greige fabric.
  9. Set seam construction requirements such as overlock, French seam, bound seam, turned top hem width, bartack, X-box, or box-cross handle reinforcement.
  10. Define minimum handle insertion depth, reinforcement box size, stitch density, thread color, and acceptable handle skew tolerance so QC can measure instead of judge by eye.

Factory quote questions to send

  1. What exact base fabric will be used for this quote: cotton canvas, cotton duck, cotton sheeting, recycled cotton blend, or cotton-poly blend, and what is the tested GSM after finishing?
  2. Is the quoted GSM based on greige fabric, finished fabric, washed fabric, dyed fabric, or an estimated fabric category only? Can you provide the GSM tolerance and the test method used?
  3. What is the standard GSM tolerance for bulk fabric, and what commercial action applies if the received fabric lot tests below the purchase specification?
  4. What is the estimated finished bag weight per piece for the quoted size and construction, and what tolerance should we expect in bulk production?
  5. Is the fabric stock available now, or does it require weaving, finishing, dyeing, or mill booking? If stock is used, how many units can be produced from the available lot?
  6. For natural canvas, what shade range, seed speck level, slub level, and weaving variation are normal for your material? Can you send photos of acceptable and unacceptable examples?
  7. For dyed canvas, what lab dip process, dye-lot MOQ, shade tolerance, colorfastness standard, and crocking test can you support?
  8. Will the logo be printed before sewing on flat panels or after the bag is assembled, and how does that affect print registration, print area limits, and unit cost?
  9. For screen printing, how many screens are needed, what ink type will be used, what mesh or ink approach is recommended for this canvas texture, and will you provide a strike-off on the actual bulk fabric before production?
  10. For DTF, heat transfer, DTG, or digital print, what adhesion, abrasion, washing, and hand-feel limitations should we review on this canvas weight?

Quality-control points to confirm

  1. Fabric GSM should be tested on incoming bulk fabric and, where practical, checked from finished bag panels, with the target, tolerance, and test approach stated in the purchase order.
  2. Finished size tolerance should be defined separately for width, height, gusset depth, top hem width, handle width, and handle drop because canvas bulk can affect each dimension differently.
  3. Finished bag weight per piece should be spot checked against the approved pre-production sample when premium hand feel, freight estimates, or material cost assumptions are tied to fabric weight.
  4. Top hem width, handle insertion depth, reinforcement box size, stitch pattern, and thread color should match the approved sample within written tolerance.
  5. Handle pull strength should be checked through a practical load test or agreed factory method, especially for grocery totes expected to carry heavier contents.
  6. Stitch density should be visually consistent and measurable, with no skipped stitches, broken threads, open seams, weak back-tacks, loose thread tails, or needle damage at stress points.
  7. Side seams and gusset seams should be inspected inside and outside for seam allowance, raw-edge exposure, puckering, holes, twisting, and uneven binding if binding is specified.
  8. Print position should be checked against a measurement grid from the top edge and side seams, not judged by eye only.
  9. Print color, opacity, edge sharpness, registration, and hand feel should be compared against the approved strike-off on the same fabric base and same print method.
  10. Print durability should be checked for rubbing, cracking, tackiness, odor, offset, and adhesion problems after normal handling and packing simulation.