Why nonprofit buyers get cotton drawstring backpack pricing wrong

For nonprofit campaigns, the quote that looks cheapest on paper is often not the cheapest bag in the warehouse. Cotton drawstring backpacks are simple enough to invite shortcut pricing, but the final cost changes quickly once you define fabric weight, print coverage, packing format, and whether the supplier is making the bags in-house or subcontracting the sewing and decoration. Procurement teams that treat the product as a generic giveaway usually miss the cost drivers that matter most: fabric GSM, labor touches, decoration setup, carton volume, and the amount of rework risk built into the order.

A good bulk pricing plan starts with the use case. A volunteer giveaway for a 5K run does not need the same build as a school outreach kit, donor thank-you package, or warehouse-distributed field pack. If the bag only carries brochures and a T-shirt, you can usually stay in the 120-140 GSM range and keep the construction simple. If it needs to survive repeated use, you should budget for stronger seams, better cord, and a cleaner print process. In practice, the right build is a function of contents, event duration, expected reuse, and how visible the bag will be in public.

There is also a governance problem. Nonprofit campaigns often involve more stakeholders than commercial promotions: fundraising, communications, events, program teams, regional offices, volunteers, and sometimes sponsors. Each stakeholder may want a different logo size or wording, and each change can force a new screen, a new proof, or a new carton label. The more decision-makers you have, the more important it is to freeze the specification early so pricing is not revised after the supplier has already quoted on a different assumption.

The safest way to think about these bags is as a controlled production project, not a casual merch order. If you give the factory a tight brief, the quote becomes more stable and the sample becomes more useful. If you give a loose brief, you will spend the buying cycle comparing apples to oranges and trying to correct the spec after the fact. The biggest savings usually come from reducing ambiguity, not from squeezing the supplier for the lowest visible unit price.

  • Campaign bags are priced by spec discipline, not just volume.
  • One unclear detail can shift the quote more than a small quantity change.
  • A tighter RFQ usually lowers total cost even if the unit price looks slightly higher.
  • Nonprofit orders often need more alignment than commercial promo jobs because more internal stakeholders review the bag.

Start with the spec that drives the whole price

Cotton drawstring backpacks are usually quoted around fabric weight first, because GSM drives the fabric cost, handfeel, print stability, and sewing behavior. For most nonprofit bulk orders, 120 GSM is the practical floor if the bag is meant for lightweight handouts, while 140 GSM gives a more substantial feel and better structure. Once you move above that, the bag starts to feel more like a retail item and less like a campaign giveaway, which is useful only if the contents justify the higher cost. If you are comparing suppliers, make sure they are quoting the same raw cloth basis, because a bag made from a looser weave or a different finishing process can feel lighter even at the same nominal GSM.

Size matters just as much as fabric. A common campaign format sits around 34 x 42 cm, which is large enough for literature, snacks, and basic event items without consuming unnecessary fabric. If your kit has a bulky hoodie, water bottle, multiple brochures, or a box insert, you need to define the capacity requirement before getting prices. Otherwise, suppliers will quote different finished sizes and compare them as if they were the same product. A difference of just a few centimeters can change fabric consumption, seam labor, and carton loading efficiency.

The bag opening, cord route, and corner reinforcement should be specified before the first quote. Buyers often focus on logo size first and leave the construction details vague, but the construction is what determines whether the bag feels dependable in hand. If the project needs stronger performance, ask for reinforced bottom corners, bar-tacks at stress points, and a cord channel that will not twist during packing. If the project is purely for light handouts, you can simplify some of those details and save cost, but only if the contents truly support that choice.

Natural cotton is a sensible default when the campaign wants a low-key, eco-forward look and easy print behavior. Bleached cotton can give a cleaner background for certain logos, but it can add cost and can make fabric marks more visible if quality control is weak. Dyed cotton can be useful when the campaign wants a specific brand color, but the dye process and shade control add lead-time and price risk. The cheapest textile option is not always the most economical once you factor in brand presentation and the chance of rework.

  • Use GSM to set fabric cost expectations before design review.
  • Fix the finished size early so suppliers do not optimize against different volume assumptions.
  • Choose natural cotton if the campaign wants a low-key, eco-forward look and simpler print behavior.
  • Specify the bag opening, cord route, and reinforcement details as part of the RFQ, not after pricing.

How supplier route changes the bulk pricing plan

A direct factory quote and a trading-company quote can look similar until you compare what is actually included. Direct manufacturers are usually better when you need tighter control over sewing, print, and packing, because the people quoting the job are closer to the machines. Trading companies can be helpful when you need a mixed-sourcing service, but they may add margin layers or leave you with less visibility into which workshop is doing the work. For a procurement team that needs to defend the purchase internally, process visibility matters almost as much as the price line itself.

The right route depends on order complexity. If you need a single logo, one fabric color, one carton spec, and one delivery schedule, a direct factory is often the cleanest path. If the campaign has multiple ship-to locations, serialized kitting, or mixed product bundles, a distributor may simplify coordination, but you should expect a broader markup and more questions about ownership of defects. This is especially important for nonprofit programs where delivery delays can collide with event dates or grant timelines.

You should also ask where key steps happen. Some suppliers cut and sew in one place, print in another, and pack in a third. That can still work, but it needs more coordination and more QC checkpoints. If the quote does not say whether the supplier controls the screen printing, sewing, and final packing, then the buyer does not yet know who is responsible for defects or schedule slip. In procurement terms, unclear ownership is a cost, even if it is not visible in the unit price.

For repeat campaign programs, the best supplier is usually the one that can maintain the same bag spec across reorders. Direct factories generally have an advantage here because they can keep internal records of fabric sources, screen files, and sewing settings. If your organization expects to reorder in the next quarter or next fiscal year, ask about repeat-run stability, stored artwork files, and whether the factory can match the approved sample on future orders without re-approving every detail.

In all cases, compare quotes against one RFQ template. That means every supplier sees the same size, GSM, print colors, cord style, packing format, carton count, and delivery destination. A fair comparison requires the same assumptions. If one quote includes export paperwork and the other does not, the spreadsheet comparison is not complete enough for a purchasing decision.

  • Direct factory: better for spec control and repeat orders.
  • Trading route: useful for multi-item programs, but quote transparency is weaker.
  • Always compare the same assumptions on sample, setup, packing, and freight.
  • Ask who owns sewing, printing, packing, and final QC before accepting a quote.

Comparison of sourcing routes for nonprofit campaign bags

Make suppliers separate base unit price, setup fee, sample fee, label or packing cost, and freight handover term. MOQ should be tied to real drivers such as fabric dye lot, print setup, trim sourcing, carton rules, or inspection depth. If the supplier gives only one lump sum, you cannot see which cost element is tied to the bag and which one is tied to the order process. Procurement teams need line-item visibility because future reorders often change only one variable, such as logo placement or packing format, and the current quote should make those changes easy to isolate.

This structure protects buyers from false savings. If one quote excludes sample approval or carton labeling, it is not cheaper in a practical purchasing sense; it is just incomplete. The same is true if a supplier quotes a lower unit price but silently assumes a lighter fabric, a looser QC standard, or a longer transit route that exposes the shipment to more handling risk. When you evaluate cotton drawstring backpacks for nonprofit campaigns bulk pricing plan decisions, the best quote is the one that explains what is included and what is not.

A useful comparison sheet should also capture the expected defect response. Ask whether the supplier will remake, repair, or credit bags that fail agreed criteria, and how that process works if the bags have already left the factory. A supplier that hides behind vague quality language can be difficult to work with if the campaign is date-sensitive. Procurement buyers should not wait until after payment to learn whether the factory actually stands behind the spec.

Finally, compare service depth. Some suppliers can only produce the bags; others can help with artwork cleanup, barcode labeling, mixed carton counts, and palletization. Those services may cost more, but they can reduce internal labor for the buyer. For a nonprofit campaign team that is already managing volunteers, donor communications, and event logistics, the lowest ex-factory price is not always the lowest total workload.

  • Write decisions in measurable language, not only descriptive wording.
  • Ask for sample photos plus one physical approval sample for important orders.
  • Keep quotation, sample approval, and inspection notes tied to the same spec version.
  • Request line-item pricing so you can see the effect of each spec choice on the total.

What belongs in a realistic supplier comparison

A buyer comparing quotes should insist on the same fabric weight, same print coverage, same carton count, and same label method. If one supplier quotes a 100 GSM bag with a one-color logo and another quotes 140 GSM with a two-color logo, the spreadsheet comparison is meaningless. The same logic applies to cord style and reinforcement. A cheaper cord may save a small amount up front, but it can produce the kind of failure that damages a campaign handout before it reaches the end user. Procurement buyers should not optimize the wrong variable and then pay for it in complaints or replacements.

The comparison should include artwork assumptions in writing. Specify print size, number of print colors, print location, and any required no-print margins around seams or stitching. Without those details, a factory may size the print differently than expected to save screening labor or improve yield. A few millimeters in logo placement can change how the bag photographs, which matters for campaigns that are visible on social media, in donor reports, or at public events.

You should also compare the carton plan. A large, light bag can be shipped in a carton that appears efficient but actually causes damage if overfilled. A smaller carton count may raise carton cost but reduce wrinkling or print abrasion. For nonprofit buyers, the best solution is often a middle ground: enough bags per carton to keep freight efficient, but not so many that the top layer crushes the bottom layer. Ask the supplier to recommend a carton count and then explain the assumption behind it.

The best comparison includes process evidence. Ask who prints the bags, where the sewing happens, and whether the factory can show recent in-process QC records or line photos. That does not mean you need a full audit for every order, but you do need enough evidence to know the supplier is actually controlling the job rather than outsourcing every step and hoping the result lands in spec. Evidence-based comparison is the difference between buying a bag and buying a promise.

If your organization is required to follow procurement governance or grant-funded purchasing rules, keep the comparison packet together. Store the RFQ, the supplier quotes, the sample approval notes, and the final PO in the same file set. That makes it easier to explain why one supplier was selected and what spec was used to justify the order.

  • Compare fabric, print, packing, and shipping basis side by side.
  • Make the supplier identify in-house versus outsourced steps.
  • Treat quote gaps as a signal to request better breakdowns, not as a reason to choose the cheapest line item automatically.
  • Document the comparison so your internal approval trail stays clean.

Print method choices that affect both cost and campaign quality

For nonprofit bags, screen printing is usually the best balance of unit cost and visual clarity when the art is simple. One or two solid colors keep setup manageable, and the print can stay durable if the ink matches the cotton surface well. If the logo has fine gradients, small type, or too many colors, the supplier may push toward heat transfer or digital decoration, but that move should be intentional because it changes cost, feel, and durability. Before approving a method, ask whether the decoration is designed for the intended bag texture and whether the supplier has printed that kind of artwork on similar cotton before.

The real risk is not choosing the wrong method in theory; it is approving artwork that the fabric cannot hold cleanly. On lighter cotton, large solid fills may show slight fiber texture or edge variation. That can be acceptable for a nonprofit campaign if the artwork is bold and readable, but it should be confirmed on a physical sample before you order thousands of units. Small fonts, thin outlines, and reverse type are especially vulnerable to fill-in or edge roughness, so they deserve extra scrutiny.

For procurement, the best question is not only "What is the print method?" but also "What is the print setup cost, what is included, and what happens if we change only the logo size?" Screen setup costs can be reasonable for large runs, but if the campaign quantity is small, setup can dominate the per-bag price. That does not make screen printing wrong; it means the order needs to be sized and planned realistically. In some cases, a simplified logo or a single spot color can save more money than trying to negotiate the print process alone.

Color accuracy should be handled practically. If the nonprofit has an exact brand color, share Pantone references and ask the factory whether the ink system can match it within a reasonable production tolerance. Also ask for a strike-off or sample print on the actual fabric, because the same ink can look different on white, natural, or bleached cotton. A PDF proof can confirm layout, but it cannot confirm real-world color behavior.

If the order needs variable names, event dates, or regional text changes, make sure the supplier explains how those changes affect the print process. Variable data can be handled in some decoration methods, but it often increases cost and slows production. For a campaign with multiple versions, it may be better to keep the bag constant and vary only the insert card or tag.

  • Screen print is usually best for simple logos and bulk quantities.
  • Heat transfer is more suitable for short runs or complex art, but durability needs attention.
  • Fine text and thin lines should be tested on the actual fabric, not just on a PDF proof.
  • Ask for setup cost, included colors, and the cost impact of artwork changes before deciding.

MOQ logic and how to keep setup costs under control

MOQ for cotton drawstring backpacks is rarely about the bag alone. It usually comes from fabric cutting efficiency, print screen setup, cord sourcing, and carton packing efficiency. If the factory must source a special color cord or change the bag dimensions for a small campaign, the MOQ may rise faster than expected. Buyers often save money by standardizing one base fabric, one logo placement, and one carton spec across the whole order. The goal is not just to lower MOQ on paper; it is to make the order easy for the factory to produce consistently.

If your nonprofit campaign needs multiple donor tiers or regional variations, group the differences intelligently. For example, keep the same base bag and change only a small label or printed line, instead of creating two completely different bag constructions. That allows the factory to keep one sewing setup and one fabric purchase plan, which usually reduces unit cost and schedule risk. If a variation must exist, consider varying only one detail such as a hangtag, woven label, or insert card so the bag itself stays constant.

MOQ should be tested against real campaign planning. If your launch is still six months away, a larger MOQ may make sense if it unlocks a cleaner price and better consistency. If your event date is near, a lower MOQ may be worth paying for because it reduces inventory risk. Procurement buyers should weigh cash flow, storage, and campaign timing together rather than focusing only on the factory minimum. A cheaper overrun is not helpful if the extras sit unused in storage.

Another way to control setup cost is to simplify the specification hierarchy. Decide which features are fixed, which are preferred, and which are optional. For example: fixed = natural cotton, one-color logo, bulk carton packing; preferred = reinforced corners and cotton cord; optional = woven side label or barcode sticker. When the supplier knows what must not change, the quote becomes more accurate and the risk of add-on charges drops. This kind of prioritization is especially useful when the buying team includes non-procurement stakeholders who may have different preferences.

If you expect repeat campaigns, ask the factory to keep a record of screens, artwork files, and approved sample photos so reorders can be smoother. Repeat orders often become less expensive when the supplier can reuse setup elements. That can matter a lot for annual charity walks, school outreach seasons, or donor appreciation cycles.

  • One fabric color plus one print layout is the cheapest path.
  • Multiple variants increase setup, inspection, and packing labor.
  • Ask the supplier to show where MOQ is driven by material, print, or labor rather than accepting one flat number.
  • Separate fixed, preferred, and optional features before quoting.

Sample approval: what a useful pre-production sample should prove

An artwork proof is not enough for this product. For cotton drawstring backpacks, the pre-production sample should use the final fabric, final cord, final print method, and final label or side tag. That sample should tell you whether the bag feels too floppy, whether the logo sits correctly on the front panel, and whether the cord channels hold shape when loaded. If the factory only sends a print file or a blank bag, you are still guessing on the features that affect the campaign outcome. A procurement team should treat the sample as a decision tool, not a courtesy item.

The sample review should include measurements and basic handling. Check width, height, drawcord length, opening behavior, and whether the bag stands or collapses too much when empty. For a nonprofit campaign, this matters because the bag is often the most visible object in the handout. If the sample looks underbuilt, the campaign can look underfunded even if the printed message is strong. If the bag is too stiff or bulky, it may also disrupt the intended contents or make packing slower for volunteers.

It helps to write a sample checklist before the sample arrives. Include logo placement, print contrast, stitch quality, cord smoothness, label alignment, and carton count if the sample is packed in a small shipment. If your order includes a sponsor message or event date, verify that the sample shows the correct version and that the factory is using the latest artwork file. Version control matters because a surprisingly large number of production errors begin as a wrong file on a hard drive.

Physical testing does not need to be complicated. Load the sample with the actual items it will carry and confirm that the opening is wide enough, the drawcord runs smoothly, and the corners do not strain. If the bags will be handed out at an event, ask a few internal stakeholders to hold the sample and give feedback on perceived quality. Procurement does not need to become a design exercise, but user handling can reveal issues that measurement alone will miss.

Only approve bulk production when the sample and the written spec match. If they differ, resolve the discrepancy first. The sample is not a substitute for the spec; it is the proof that the spec was interpreted correctly.

  • Approve the real sample, not just the artwork.
  • Measure the sample against your target size and capacity.
  • Sign off on print placement, color, and cord feel before bulk starts.
  • Use a written sample checklist so everyone reviews the same points.

QC thresholds that prevent avoidable campaign complaints

The quality bar for a fundraising or awareness campaign should be practical, not luxury-grade. Still, you need clear thresholds. The fabric must be even, the seams must hold, and the print must read from a normal viewing distance. A bag with weak stitching at the corner or a blurred logo can still get through casual inspection if nobody defines what failure looks like in advance. For procurement teams, vague quality language is a common cause of dispute because it leaves the factory and the buyer with different ideas of acceptable output.

Set acceptance criteria before production begins. For example, define the allowed deviation on finished dimensions, the acceptable variation in print placement, and the number of defects allowed per inspection lot. Also set the carton packing method so the bags do not arrive crushed or stained from movement inside the box. These details are tedious to write, but they are cheaper than rework or replacement shipments. The most useful QC plans are simple enough for the line team to follow and specific enough for the buyer to enforce.

For cotton bags, pay special attention to seam behavior. The stress points are usually the bottom corners, the side edges, and the cord channel ends. Ask the supplier to confirm stitch density and reinforcement method, and if possible, have the sample loaded to near expected use weight. The goal is not to over-engineer a giveaway bag; it is to make sure the bag does not fail during the campaign itself. If a tote is meant to be reused, reinforcement becomes even more important because repeat openings and carry cycles expose weaknesses quickly.

Print QC should focus on readability as well as color. Look for smearing, pinholes, ghosting, misregistration, and ink bleed into the weave. A nonprofit logo often has text, icon, and a campaign tagline, so clarity matters. On natural cotton, a slight texture is normal, but the design still needs to be instantly legible at a glance. If your organization has a brand guide, include the approved logo clear space and minimum size requirements in the production file.

Finally, define what happens if the lot is outside spec. A good supplier should be able to explain rework, sorting, credit, or replacement logic. If they cannot explain it, the buyer is carrying all the risk. A clear remedy path often matters as much as the price itself, especially when the shipment must arrive before a live event.

  • Define allowed size variance and print position tolerance.
  • Inspect seam integrity at the cord channel and lower corners.
  • Require clean cartons, correct counts, and moisture protection for storage or ocean transit.
  • Write a defect remedy plan before PO release so both sides understand what happens if issues appear.

Packing, label, and freight details that change the landed cost

Packing can affect more than shipping cost. Cotton bags are light, but if they are bulky, the carton volume can still push freight up. Bulk packed cartons are usually the most efficient for nonprofit campaigns unless the bags must be individually retail-ready. If you need retail presentation, barcode labels, hangtags, or polybags, make that explicit early because those extras can add labor and change carton dimensions. The quote may also change if the supplier needs to insert cardboard, tissue, or moisture control materials.

For landed cost comparison, ask for a quote on the same packing basis. If one supplier includes 50 pcs per carton and another includes 100 pcs per carton, the freight math is not comparable. Also clarify whether carton marks, inner polybags, and desiccants are included. Those small items can become major problems when the order is moving by sea and sits in storage before a campaign launch. A bag that looks cheap at ex-factory price can become expensive once the packing format is corrected for real logistics.

Labeling matters for receiving and kitting. If the nonprofit will distribute bags to multiple branches or event sites, carton labels should clearly show quantity, color, style, and PO number. This helps warehouse teams avoid opening every carton to verify contents. If serial or barcode labeling is required, make it part of the quotation. Otherwise, the factory may charge extra later, or the warehouse team may have to re-label cartons after arrival.

Freight assumptions should be written in plain language. State whether the quote is EXW, FOB, FCA, or another term, and identify who books the carrier, who handles export docs, and where risk transfers. The landed cost is what matters to procurement, so the quote should allow you to calculate it cleanly. When comparing suppliers for a bulk nonprofit campaign, ask for the cost of getting the cartons to your receiving point, not only the factory gate.

If you are ordering well ahead of an event, consider storage too. Even small changes in carton density or stacking strength can affect how the order sits in your warehouse. Ask the supplier to tell you carton dimensions, gross weight, and whether palletization is available if needed for long-haul or warehouse handling.

  • Bulk packing usually gives the best campaign economics.
  • Retail packing adds labor and should be reserved for retail channels or donor stores.
  • Freight should be quoted against a defined carton count and carton size, not a loose bag quantity.
  • Ask for carton markings and receiving labels that fit your warehouse process.

Specification comparison for buyers

Spec decisionRecommended optionWhen it fitsBuyer risk to check
Fabric choice120-140 GSM natural cotton for standard campaign bagsGood for school drives, charity runs, volunteer kits, donor thank-you packs, and handout programs where the bag carries light to medium contentsToo-light fabric can distort at the seams; too-heavy fabric raises cost and freight without much benefit
Print method1-2 color screen print for large logo runs; heat transfer only for short runs or complex artWorks when the nonprofit logo is simple and the design area is consistent across all bagsFine text can fill in on lower-GSM fabric; transfers can crack or peel if wash resistance and surface prep are weak
Bag sizeApprox. 34 x 42 cm or similar campaign-friendly daypack sizeFits event kits, brochures, light apparel, and giveaway items without becoming bulkyOversized bags increase fabric use and freight; undersized bags create complaints when kit contents do not fit
Drawcord styleSelf-fabric cord or 5-6 mm cotton cord with reinforced eyeletsBest when the buyer wants a natural-looking bag and lower breakage riskThin cords cut into shoulders and may fail if knots, bar-tacks, or stitching are weak
MOQ routeFactory direct with one print setup and one fabric shadeBest for mid-size and large nonprofit campaigns with one delivery windowMultiple colors or multiple logos can raise setup cost quickly and trigger higher minimums
Sampling approachPre-production sample with actual fabric, print, cord, and labelNeeded when the bag will be mailed, sold, or distributed through partners who expect consistent brandingApproving artwork only, without a physical sample, often hides print size and fabric handfeel problems
Packing formatBulk packed by 50-100 pcs per carton with controlled carton weightUseful for warehouse receiving, kitting, and distribution to multiple event sitesLoose packing can wrinkle print, while over-packed cartons raise damage and handling complaints
Supplier routeDirect manufacturer with in-house sewing and print controlBest when the buyer needs tighter spec control, better quote transparency, and repeat ordersTrading companies may hide process ownership, making root-cause fixes slower if defects appear
Price structureQuoted as unit price plus setup, sample, packing, and freight assumptionsBest for comparing total landed cost across suppliers, not just ex-factory priceThe lowest unit price can be misleading if print setup, labels, cartons, or export docs are extra

Buyer checklist before sampling

  1. Confirm fabric weight in GSM, yarn feel, and whether the cloth is bleached, natural, or dyed before print approval.
  2. Lock the finished size, cord length, and corner reinforcement method before requesting pricing.
  3. Send vector artwork, logo placement, print size, Pantone references, and a photo of the intended use case.
  4. State the packing format: loose bulk, individual polybag, barcode sticker, carton count, and master carton target weight.
  5. Request a pre-production sample made from the same fabric, print method, cord, and label spec as mass production.
  6. Compare quotes on the same basis: unit price, setup cost, sample cost, packing, carton spec, and freight assumptions.
  7. Set acceptance criteria for print sharpness, seam strength, stain tolerance, and dimensional tolerance.
  8. Ask for production lead time, not just sample turnaround, and include buffer time for artwork approval and transit.

Factory quote questions to send

  1. What exact GSM fabric do you recommend for this campaign, and what is the weight tolerance from roll to roll?
  2. Is the quote based on natural cotton, bleached cotton, or dyed fabric, and what changes in price between those options?
  3. What is the setup cost for screen printing, and how many colors are included before the cost increases?
  4. Will you make a pre-production sample with the final print size, label, cord, and stitching, or only an artwork proof?
  5. How do you pack the bags per carton, and what is the target carton size and gross weight?
  6. What is the standard production lead time after sample approval, and what parts of the schedule are outside your control?
  7. Which QC checks do you perform before shipment, and can you share the acceptance criteria for seams, print, and dimensions?
  8. If the order is split into two deliveries or two campaign colors, how does that change MOQ and pricing?

Quality-control points to confirm

  1. Fabric GSM matches the approved range, with no thin spots that show through print or weaken the bag body.
  2. Finished size stays within an agreed tolerance, especially opening width, body height, and cord length.
  3. Print placement is centered or aligned to the approved artwork spec, with no smearing, pinholes, or color shift beyond tolerance.
  4. Seams at side edges, bottom corners, and cord channel ends show even stitch density with no skipped stitches or loose thread tails.
  5. Cord ends are secured, knots are tight, and reinforcement at stress points is visible and repeatable.
  6. Cartons are marked correctly, packed to the agreed quantity, and protected from moisture, crushing, or print abrasion.
  7. A production sample or top-of-line sample is signed off before bulk starts, and any deviation is recorded in writing.