What a yoga studio buyer should audit before choosing a canvas tote bag factory

A canvas tote bag for a yoga studio is not just a flat promotional bag. It may carry towels, leggings, water bottles, blocks, journals, candles, skincare products, and retail purchases after class. That means a factory audit should focus less on showroom promises and more on fabric consistency, handle strength, print durability, sewing discipline, and packing cleanliness. A low unit price is not useful if the handles twist, the logo cracks, or the cartons arrive with moisture marks.

The best audit approach is to review the factory against your buying scenario. A studio buying 300 pieces for a retreat has different risk from a distributor buying 8,000 pieces for multiple studio locations. The audit should establish whether the supplier can control your specification repeatedly, not whether they can make one good sample. Look at fabric sourcing, sampling records, print setup, production flow, QC checkpoints, and export packing evidence before you compare final quotes.

For yoga studios, the most common audit gaps are fabric weight inconsistency, handle attachment failure, print color drift, and packing damage. Each of these can be prevented with clear tolerances and documented approval steps. Use the comparison table below to align your specification with factory capability before requesting quotes.

  • Retail boutique tote: prioritize clean sewing, handle comfort, print finish, and individual packing. Budget for a pre-production sample.
  • Member welcome tote: balance cost, brand presentation, and reliable lead time. Accept natural canvas variation but set limits on defects.
  • Retreat tote: review packing, carton labeling, and delivery schedule because missed arrival dates can make the product useless. Add a buffer of 2 weeks.
  • Distributor program: audit repeatability, shade control, carton data, and reorder documentation. Request a spec sheet that can be reused for future orders.

Start the audit with the real use case, not only the logo artwork

Many RFQs start with a logo file and a requested quantity. That is too little information for a factory to quote accurately. The first audit question should be: what will the bag carry, where will it be sold or distributed, and how long should it last? A tote given away at a one-day open house can use a lighter build than a retail tote displayed in a yoga studio boutique at a premium price. The same logo on the same size bag can have very different construction requirements.

For yoga studios, buyer mistakes often come from underestimating weight and volume. A student may put a stainless water bottle, damp towel, sweatshirt, class pass folder, and retail purchase into the bag. If the bag has a boxed bottom, the load sits more naturally, but seam strength and bottom corners need better control. If the bag is flat, it costs less and packs tighter, but it does not stand well on retail shelves and may feel too promotional for paid merchandise.

The use case also determines acceptable defect levels. A retail tote sold at $25 needs near-zero visible defects. A giveaway tote at a community event can tolerate minor slubs or slight print misalignment. Define your quality tier before the audit so the factory can quote the appropriate construction and inspection level.

  • For paid retail bags, consider 10 oz to 12 oz canvas, boxed bottom, and reinforced handles. Set AQL 2.5 for major defects, 4.0 for minor.
  • For retreat gifts, consider a larger gusset (12–15 cm) and clear carton sorting by event date or location. Use individual polybags for protection.
  • For low-cost class giveaways, an 8 oz to 10 oz flat tote may be enough if print quality is acceptable. Accept AQL 4.0 for major defects.
  • For premium studio merchandise, add an inner pocket, zipper top, custom label, or heavier canvas only if the retail price supports it. Test handle pull strength at 20 kg.

Fabric audit: canvas weight, weave, shrinkage, and color control

Canvas weight is one of the easiest places for quotes to look similar while the final bags feel different. Some suppliers quote ounces per square yard, some quote GSM, and some use nominal fabric names without testing. For a yoga studio canvas tote, 10 oz to 12 oz is a common practical range, roughly 280 to 340 GSM depending on weave and finishing. Lighter canvas can work for giveaways, but it may not hold shape well. Heavier canvas can feel premium, but it increases fabric cost, freight weight, sewing difficulty, and sometimes MOQ.

During a factory audit, request swatches from current production, not only a catalog card. Natural cotton canvas will show cotton seed specks and slight shade variation. That is normal, but oil stains, mildew smell, heavy discoloration, and inconsistent weaving are not acceptable. If the brand needs black, stone, sage, clay, or another yoga-inspired shade, the audit must cover dye lot control, lab dip approval, and reorder variance. Custom-dyed canvas usually increases lead time by 3–4 weeks and may push the order into a higher MOQ of 1,000+ pieces.

Shrinkage is another overlooked factor. If the canvas is washed or if the end user may launder the bag, request a shrinkage range. A 5% shrinkage on a 40 cm bag means 2 cm loss, which can affect handle drop and overall proportion. Specify whether the fabric is greige (unfinished), bleached, dyed, or washed, and confirm how the factory measures weight.

  • Require fabric weight in GSM and ounces to reduce quote confusion. Ask for a conditioned sample measurement.
  • Ask whether fabric is stock, greige dyed, washed, bleached, or custom woven. Stock fabric reduces lead time by 2–3 weeks.
  • Review shrinkage range if the fabric is washed or if the bag may be laundered by end users. Request a shrinkage test report.
  • Set a realistic shade tolerance for natural canvas (Delta E ≤ 2.0) and a stricter approval process for dyed canvas (lab dip required).
  • Keep an approved fabric swatch sealed with date, supplier name, and order number. Use it as a reference for bulk inspection.

Construction details that decide whether the tote feels retail-ready

The visible value of a canvas tote comes from proportion, handle comfort, and clean sewing. A yoga studio buyer should audit finished dimensions, handle drop, handle width, bottom structure, seam type, and reinforcement. A common retail size may sit around 38 x 40 cm with a 10 cm gusset, but there is no universal best size. If the bag needs to hold a rolled towel, apparel, or boxed retail goods, the gusset matters. If it is mainly for notebooks and small items, a flat tote may be more efficient.

Handle construction deserves special attention because failures are obvious and difficult to repair. Self-fabric handles look integrated and premium, but they require controlled folding, straight stitching, and enough width for shoulder comfort. Cotton webbing handles can reduce sewing steps, but color matching and hand feel may be less refined. For yoga studios, handle drop should usually allow shoulder carry over light clothing, typically 28–32 cm from top edge to peak. If the drop is too short, the bag becomes a hand-carry tote and feels less useful after class.

Seam allowance is another critical detail. A minimum of 1.2 cm is standard for canvas totes. Narrower allowances increase the risk of seam failure under load. Inner seams should be overlocked or bound to prevent fraying, especially if the bag will be washed. For premium bags, consider a French seam or bound seam for a cleaner interior finish.

  • Specify handle drop from top edge to handle peak, not only total handle length. Tolerance ±0.5 cm.
  • Use box-X, cross-stitch, or dense bar-tack reinforcement at handle attachment points. Minimum 8 stitches per point.
  • Define seam allowance (minimum 1.2 cm) and whether inner seams are overlocked, bound, or simply folded. Overlocking prevents fraying.
  • Check bottom corners for puckering, open stitches, and uneven gusset depth. Tolerance ±0.5 cm for gusset depth.
  • For premium bags, consider an inner pocket, but inspect pocket size (minimum 15 x 20 cm) and attachment (double-stitched top edge).

Print audit: matching yoga branding without creating durability problems

Most yoga studio tote bags use screen printing because it gives a clean result for logos, simple illustrations, studio names, and limited color artwork. Water-based screen print is often preferred for a softer hand feel on cotton canvas. Plastisol can give strong opacity, but some buyers dislike the heavier surface feel. Heat transfer may be useful for complex gradients or small runs under 200 pieces, but it can look less integrated on textured canvas and may not age the same as ink printed into the fabric surface.

The factory audit should include artwork separation, screen setup, ink testing, curing control, and print position measurement. A good print sample is not enough if the bulk production line does not control drying time or stacking. Freshly printed bags stacked too early can cause offset marks. Under-cured ink can crack, rub, or transfer. Dark canvas also needs special attention because white or light ink may require an underbase or double print to reach the approved opacity.

For yoga studios with simple, centered logos, print position tolerance is especially important. A misalignment of 0.5 cm on a centered design is noticeable. Require a strike-off on the actual canvas color and weight, not on paper or substitute fabric. Perform a rub test, fold test, and tape test on the strike-off before approving bulk production.

  • Approve a strike-off on the actual canvas color and weight, not on paper or substitute fabric. Keep one sealed strike-off for reference.
  • Define print size, position from top edge and side seam, and acceptable placement tolerance (±0.5 cm). Use a ruler for inspection.
  • Clarify Pantone or brand color target, but allow for fabric absorption and screen ink limitations. Delta E ≤ 2.0 is a reasonable target.
  • For dark canvas, request opacity review before bulk production. White ink on black canvas may need an underbase or double print.
  • Use rub, fold, and tape checks as practical indicators before approving shipment. Reject any cracking, smearing, or transfer.

MOQ and quote logic: why the same tote can have very different prices

A canvas tote quote is driven by more than sewing time. Fabric weight, fabric color, order quantity, print color count, number of print positions, inner pocket, zipper closure, label type, packing method, and carton requirements all change the cost. A factory may offer 300 pieces for natural canvas with one-color screen print because the fabric is available and setup is simple. The same bag in a custom-dyed color with woven label, zipper top, and retail barcode packing may require 1,000 pieces or more to make production efficient.

When auditing quotes, separate one-time charges from unit price. Screen charges, sample charges, artwork adjustment, custom label setup, dyeing minimums, and courier sample freight should be visible. If one supplier hides these costs and another lists them, the listed quote may look higher but be more reliable. For importers and distributors, carton size and gross weight also affect landed cost. A slightly cheaper unit price can become more expensive after freight if the bags are packed inefficiently or made from unnecessarily heavy canvas.

Price validity is another factor. Fabric costs fluctuate, especially for cotton. Ask for a price validity period (typically 30–60 days) and conditions for fabric cost changes. For reorders, request a guaranteed price for 90 days or a formula for adjustment based on cotton market indices.

  • Compare quotes using the same Incoterm, preferably FOB port or EXW with clear local charges. List setup charges separately from unit price.
  • Require estimated carton size, pieces per carton, gross weight, and net weight. Use this data to calculate landed cost per piece.
  • Ask whether the quoted price uses stock fabric or fabric that must be ordered after deposit. Stock fabric reduces lead time by 2–3 weeks.
  • For reorders, request a price validity period (30–60 days) and conditions for fabric cost changes. Get it in writing.
  • Request a breakdown of one-time charges: screen setup, sample production, courier, label setup, and any dyeing minimums.

Factory capability evidence: what to review beyond a nice sample

A clean sample can be made slowly by an experienced sample maker. Bulk production is different. During a factory audit, look for evidence that the supplier can repeat the same stitch quality and print alignment across the full order. Useful evidence includes photos or video of sewing lines, cutting tables, print equipment, trimming stations, inspection tables, needle control, carton packing, and current canvas bag production. If the supplier uses subcontractors for printing or dyeing, that is not automatically a problem, but the control process must be clear.

For yoga studio buyers placing international orders, communication speed also matters. A reliable supplier should be able to explain limitations before production, not after defects appear. If your artwork has thin lines that may fill in on canvas, a good factory will flag it. If your selected canvas weight makes the bag too stiff for folding, they should say so. The audit is not only about machinery; it is about whether the supplier understands the product well enough to prevent avoidable mistakes.

Request a production flow chart from fabric receiving to final carton sealing. Ask for an example of their internal inspection report format without requiring confidential customer data. Check whether the factory keeps sealed approval samples at the production line for reference during bulk production.

  • Request a production flow chart from fabric receiving to final carton sealing. Identify which steps are in-house and which are subcontracted.
  • Review whether cutting is layered and how the factory prevents size distortion. Ask about cutting tolerance (±0.3 cm).
  • Confirm if printing happens before sewing or after sewing for your construction. Pre-sewn printing may cause misalignment on seams.
  • Check whether the factory keeps sealed approval samples at the production line. This reduces interpretation errors during bulk production.
  • Ask for an example of their internal inspection report format without requiring confidential customer data. Look for defect categories and measurement records.

Sample approval workflow that prevents bulk production disputes

For canvas tote bags, the sample process should not stop at one attractive photo. A practical workflow includes fabric swatch approval, artwork proof, print strike-off, fit or construction sample, and final pre-production sample. The pre-production sample should match the agreed fabric, color, size, handle, stitching, label, print, and packing as closely as possible. If substitutes are used, they should be written clearly so they do not become silent approvals for bulk production.

Keep one signed or sealed sample with the buyer and one with the factory. This becomes the reference for final inspection and dispute resolution. For yoga studio programs with multiple locations or reorder potential, document everything in a simple spec sheet: finished dimensions, fabric GSM, color standard, handle drop, logo file version, print method, label artwork, packing, carton marks, and tolerance. A sample without a written spec can create arguments because people remember details differently.

Do not approve bulk cutting until fabric, print, and construction are all aligned. If the pre-production sample uses a different fabric weight or handle style than the final spec, require a revised sample before production. This step saves time and money compared to rejecting bulk goods at final inspection.

  • Measure the sample flat and record width, height, gusset, handle drop, and handle width. Compare against the spec sheet.
  • Photograph print position with a ruler visible. Store the photo with the sample for reference.
  • Cut a small internal fabric swatch only if the supplier can provide a duplicate approval swatch. Keep both for comparison.
  • Test handle comfort by loading the bag with realistic yoga retail items (water bottle, towel, block, apparel). Simulate actual use.
  • Do not approve bulk cutting until fabric, print, and construction are all aligned. Require a revised sample if any element changes.

QC thresholds: turn subjective quality into measurable acceptance criteria

Canvas is a natural textile, so inspection standards must be realistic. Minor slubs and seed specks on natural cotton are usually acceptable. Stains, holes, broken yarns, strong odor, open seams, major print smears, and incorrect dimensions are not. The buyer should define major and minor defects before production. For larger orders, many importers use AQL inspection (e.g., AQL 2.5 for major defects, 4.0 for minor), but even smaller orders benefit from written checkpoints. Without thresholds, the factory may treat visible issues as normal variation while the retail team sees them as unsellable.

For yoga studio retail, inspect both function and presentation. A bag that can technically carry weight may still be rejected by a studio if the logo is crooked or the front panel has dirt marks. Print position tolerance is especially important because simple yoga logos often have centered, minimal designs where even small misalignment is noticeable. Handle pull strength should be checked with a realistic load test, not by gently tugging one handle by hand. A minimum of 15 kg static load for 30 seconds without failure is a reasonable standard.

Define your AQL level based on the product tier. For premium retail, use AQL 2.5 for major defects and 4.0 for minor. For giveaways, AQL 4.0 for major and 6.5 for minor may be acceptable. Communicate these levels to the factory before production and include them in the purchase order.

  • Size tolerance: define acceptable variation by measurement point, such as width (±0.5 cm), height (±0.5 cm), gusset (±0.8 cm), and handle drop (±0.5 cm).
  • Stitching: reject open seams, skipped stitches, loose back-tacks, broken thread, and visibly twisted handles. Stitch density: 8–10 stitches per inch.
  • Print: reject smearing, severe pinholes, wrong color, misregistration (>0.3 cm), major tilt (>2 degrees), and poor curing (cracks on fold).
  • Fabric: reject stains, mildew smell, holes, heavy discoloration, and sharp foreign matter. Accept minor slubs and seed specks on natural canvas.
  • Packing: reject wet cartons, incorrect counts, wrong barcode placement, and dirty individual bags. Check carton strength and sealing quality.

Packing and labeling choices for studio retail, events, and distributors

Packing is often treated as an afterthought, but it affects both freight cost and retail presentation. For studio boutique sales, individual polybags may keep natural canvas clean during transport and storage, especially if bags are handled by multiple warehouse teams. For brands reducing plastic, bulk packing with tissue separation or paper banding may be preferred, but the carton environment must be clean and dry. Natural canvas picks up dust and moisture marks more easily than synthetic bags.

Carton planning should be included in the audit and quote. The supplier should estimate pieces per carton, carton size, gross weight, and net weight. Heavy cartons (over 20 kg) may be difficult for studio staff to handle. Over-compressed cartons can crease the print area, while loose packing can cause shifting and corner damage. For distributors shipping to multiple yoga studio locations, carton marks, SKU labels, barcode placement, and inner pack quantities reduce warehouse errors.

If the bags include retail hangtags, belly bands, barcode stickers, or care labels, confirm whether these are applied by the factory or by the buyer. Factory-applied labels reduce labor at the studio but require clear placement instructions and tolerance. For international shipments, include moisture protection (silica gel) if the route is humid, and confirm compliance with destination country regulations.

  • Use individual polybags for premium retail, light-colored canvas, or multi-stage logistics. Ensure polybags are sealed and free of dust.
  • Use bulk carton packing when cost and reduced plastic are more important than shelf-ready cleanliness. Add tissue separation for light-colored bags.
  • Add silica gel or moisture protection when shipping through humid routes, if compliant with destination rules. Check local regulations for silica gel disposal.
  • Specify carton markings with PO number, item code, quantity, color, and destination if needed. Use clear, legible labels.
  • Confirm whether retail hangtags, belly bands, barcode stickers, or care labels are applied by the factory or by the buyer. Provide placement instructions.

Specification comparison for buyers

Spec DecisionRecommended OptionWhen It FitsBuyer Risk to Check
Canvas weight10 oz to 12 oz cotton canvas, 280–340 GSM depending on weave and finishingBest balance for yoga studio retail bags, mat towel carry, member welcome kits, and light grocery reuseDo not compare quotes by ounce only; request GSM, fabric width, shrinkage rate, and whether weight is before or after washing. A 10 oz quote from one factory may use a different base than another.
Bag constructionBoxed bottom or flat tote with full side seam reinforcement, minimum 1.2 cm seam allowanceBoxed bottom fits apparel, blocks, towels, books, and retail bundles; flat tote works for low-cost event giveaways under 500 pcsWeak corner stitching and narrow seam allowance can fail when students carry water bottles or retail purchases. Verify gusset depth tolerance ±0.5 cm.
Handle specificationSelf-fabric canvas handles, 2.5–3.0 cm width, reinforced box-X or cross-stitch, minimum 8 stitches per attachment pointSuitable for shoulder carry after class and higher perceived retail value; handle drop 28–32 cm from top edge to peakThin webbing or short handles reduce comfort; verify handle drop, stitch count, and pull test result (minimum 15 kg static load for 30 seconds without failure).
Print methodWater-based screen print for solid yoga studio logos; heat transfer only for complex gradients or runs under 200 pcsScreen print is durable and cost-effective for 300+ units with 1–3 colors; heat transfer suits small batches or full-color artworkInk cracking, poor opacity on dyed canvas, and color drift between samples and bulk are common if strike-offs are skipped. Require a strike-off on actual fabric before approval.
Fabric colorNatural, black, stone, or custom-dyed canvas with approved lab dip and Delta E ≤ 2.0Natural and black reduce MOQ and shorten lead time; custom colors support brand systems and retreat collectionsCustom dyeing can increase MOQ to 1,000+ pcs, lead time by 3–4 weeks, and shade variation risk. Define Delta E tolerance or approved visual standard with lighting condition (D65).
MOQ logic300–500 pcs for standard fabric and simple print; 1,000+ pcs for custom dyeing, special hardware, or private label packagingUseful for yoga studios testing retail sales before committing to a full seasonal program; higher MOQ for repeat orders with consistent colorVery low MOQ quotes may use stock bags with less control over fabric, stitching, and print position. Ask whether MOQ applies per style or per color.
Interior optionsPlain interior for standard orders; inner pocket (minimum 15 x 20 cm) or zipper closure for premium retail SKUsInner pocket improves usability for phone, keys, membership cards, and retreat travel; zipper adds security for retail merchandiseExtra operations increase defect points; inspect pocket alignment, zipper smoothness, and stitch back-tacking. Allow ±0.3 cm pocket placement tolerance.
Packing methodIndividual polybag only when retail cleanliness is required; bulk carton packing with tissue separation for lower wasteStudios selling in boutique areas may need cleaner presentation; wholesale distributors may prioritize carton efficiency and lower per-unit costOver-tight packing can crease print areas; require carton dimensions, pcs per carton, gross weight, and moisture protection (silica gel if needed).
Audit evidenceFactory photos, sewing line capacity (pcs/day), print room capability, QC reports, sample records, and export packing examplesBest for importers and distributors placing repeat yoga studio programs; verify whether sewing, printing, and packing are in-house or subcontractedA trading office may quote well but lack control over fabric dyeing, print curing, and final inspection timing. Request a production flow chart.

Buyer checklist before sampling

  1. Define the actual use case: retail resale, member welcome bag, retreat gift, event giveaway, or instructor merchandise. Each use case changes fabric weight, handle reinforcement, and packing requirements.
  2. State target fabric weight in both ounces and GSM, and require the supplier to confirm whether the weight is before washing, after washing, or based on nominal mill data. Request a swatch for hand feel verification.
  3. Specify finished bag size, gusset or boxed bottom depth, handle drop, handle width, seam allowance (minimum 1.2 cm), and reinforcement stitch type (box-X or cross-stitch with minimum 8 stitches per point).
  4. Request a fabric swatch, print strike-off on actual canvas, and pre-production sample before bulk cutting. Measure the sample flat and record width, height, gusset, handle drop, and handle width.
  5. For natural canvas, set acceptance limits for cotton seed specks (maximum 3 per 10 cm²), slubs (maximum 2 per panel), odor (none), and shade variation (Delta E ≤ 2.0). Do not demand impossible uniformity.
  6. For dyed canvas, require a lab dip or approved color standard with Delta E ≤ 2.0 under D65 lighting. Define how shade lots will be controlled across production and whether reorder matching is guaranteed.
  7. Confirm print method, ink type (water-based or plastisol), curing process (temperature and dwell time), print position tolerance (±0.5 cm from top edge and side seam), and color approval process via strike-off.
  8. Set measurable QC thresholds: size tolerance ±0.5 cm for width and height, ±0.8 cm for gusset; stitching defects (open seams, skipped stitches, loose back-tacks) rejected; print defects (smearing, pinholes, misregistration >0.3 cm) rejected; stains and loose threads rejected.
  9. Clarify MOQ by fabric type, print color count, label type, packaging, and whether the order uses stock fabric or custom weaving/dyeing. Ask MOQ per style and per color separately.
  10. Compare quotes using EXW or FOB terms, including carton data (size, gross weight, net weight, pcs per carton), sample cost, plate or screen charges, and estimated lead time after sample approval. List setup charges separately from unit price.

Factory quote questions to send

  1. Are you manufacturing the canvas tote bags in your own sewing facility, or are sewing, printing, washing, or packing subcontracted? If subcontracted, what is your quality control process for each stage?
  2. What fabric weight can you supply for this order in GSM and ounces, and is it stock fabric or made to order? Can you provide the fabric composition (100% cotton or blend), shrinkage range (percentage after first wash), and colorfastness expectation?
  3. What is your MOQ for this exact bag if we use natural canvas, black canvas, custom dyed canvas, inner pocket, zipper closure, woven label, and individual retail packing? Please provide MOQ per style and per color.
  4. Which print method do you recommend for our artwork, and what are the setup charges, color limits, curing process (temperature and dwell time), and print durability tests (rub, fold, tape)?
  5. What are your size tolerances (width, height, gusset, handle drop), print placement tolerances (from top edge and side seam), stitch density standard (stitches per inch), handle pull test method (static load and duration), and AQL level for final inspection (major and minor defects)?
  6. How many pieces can you produce per day for this style after fabric arrives, and what part of the schedule is most likely to delay shipment (fabric arrival, printing, sewing, or packing)?
  7. Can you send photos or video of current canvas tote production, including cutting tables, sewing lines, print equipment, trimming stations, inspection tables, needle control, and carton sealing?
  8. What carton size, gross weight, net weight, and pieces per carton do you estimate for the quoted specification? Will cartons include moisture protection (silica gel) if shipping through humid routes?
  9. Will the quote include screen charges, sample charges (including courier), label charges, export carton, polybag, document fee, and inland transport to port under FOB terms? Please list setup charges separately from unit price.
  10. What is your lead time after sample approval, and what is your price validity period? For reorders, do you guarantee the same price for 90 days, and how do you handle fabric cost fluctuations?

Quality-control points to confirm

  1. Fabric weight tolerance should be agreed before production; many buyers accept ±5% if hand feel and strength match the approved sample. Measure weight on a conditioned fabric sample, not from mill data only.
  2. Finished size tolerance should be practical for sewn canvas: ±0.5 cm for width and height, ±0.8 cm for gusset, ±0.5 cm for handle drop. Measure flat on a table without stretching.
  3. Handle drop must match the approved sample within ±0.5 cm for shoulder comfort. Large variation changes the user experience and may cause returns for retail merchandise.
  4. Stitching should be straight, securely back-tacked (minimum 3 back stitches), and free from skipped stitches, broken threads, open seams, and major puckering. Stitch density: 8–10 stitches per inch for canvas.
  5. Handle attachment should use box-X, cross-stitch, or equivalent reinforcement with minimum 8 stitches per attachment point. No loose corners, weak thread tension, or visible gaps.
  6. Print position should be checked against a marked measurement from top edge and side seam, not judged by eye only. Tolerance: ±0.5 cm from specified position. Use a ruler for inspection.
  7. Screen print surface should not show pinholes, heavy ink buildup, smearing, cracking after folding, or obvious color mismatch against the approved strike-off. Perform a tape test on a sample from each print run.
  8. Natural canvas should be inspected for oil stains, dirt, mildew odor, excessive yarn slubs (more than 3 per 10 cm²), needle marks, and unacceptable discoloration. Reject any bag with visible stains or odor.
  9. Metal parts, zippers, snaps, or eyelets, if used, should be checked for function (smooth open/close), rust risk (no visible corrosion), sharp edges (no burrs), and consistent placement (±0.3 cm).
  10. Packing inspection should include polybag sealing (no open ends), carton strength (single or double wall), moisture control (silica gel if needed), carton markings (PO number, item code, quantity, color), barcode placement (scannable), and count accuracy (100% count check for orders under 1,000 pcs).